'HOUSTON, WE HAVE A PROBLEM...' A previously unreleased soundboard recording of Elvis Presley's controversial matinee performance at the Summit in Houston, TX, on August 28, 1976 Label: Audionics 2013-02-2 Over the years, much has been written about Elvis' afternoon concert at the Summit in Houston, TX. on August 28, 1976. The review by Bob Claypool has often been cited in Elvis literature, and the general consensus appears to be that this concert was a real disaster. Some have even suggested that this show was Elvis' worst concert ever, and it has often been a hot discussion point amongst fans. Someone even wrote a book about the show.
And yet, no recording has ever turned up. Not even an audience recording. Much of what we have read so far about this show is based on the Claypool review. But reviews are always subjective, while an audio recording is obviously a more objective means to judge a performance. After a long and exhaustive search, Audionics was recently able to locate and purchase the original soundboard tape of this concert, and we are now pleased to announce its release.
No doubt this newly-discovered recording will generate even more discussion on the message boards, as Elvis fans are now finally able to judge this controversial show for themselves. Audionics has gone to great lengths to find this recording and to bring you something truly new and unreleased. Some import labels are perfectly happy to bring you the same old stuff again & again, but at least we always go that extra mile to bring you unheard material. And, in this case, a historically relevant recording that will now enable you to hear for yourself what really happened that afternoon. Support us and we will continue to bring you more surprises in the future.
The audio quality of this soundboard is topnotch, and the show itself is 80 minutes. The audience sounds like they were having a good time that afternoon, and it’s interesting to hear the one-off return of Jerry Scheff’s bass solo in “Polk Salad Annie” for the first time since 1972/’73. We believe that this significant release will lead to a more nuanced appraisal of this show in the future.
Presented in a deluxe digipack with unpublished photos and relevant liner notes, this is one release that you must own.
Tracklist:
01. C. C. Rider (incomplete) - 02. I Got A Woman / Amen - 03. Love Me - 04. If You Love Me (Let Me Know) - 05. You Gave Me A Mountain - 06. All Shook Up - 07. (Let Me Be Your) Teddy Bear / Don't Be Cruel - 08. And I Love You So (with false start) - 09. Jailhouse Rock - 10. Fever - 11. America The Beautiful (with reprise) - 12. Polk Salad Annie - 13. Introductions by Elvis of Singers, Musicians - 14. Early Morning Rain (John Wilkinson) - 15. What'd I Say (James Burton) - 16. Johnny B. Goode (James Burton) - 17. Drum Solo (Ronnie Tutt) - 18. Bass Solo (Blues theme, Jerry Scheff) - 19. Bass Solo (Battle Of New Orleans theme, Jerry Scheff) - 20. Piano Solo (Tony Brown) - 21. Electric Piano & Clavinet Solo (David Briggs) - 22. School Day (Joe Guercio Orchestra) - 23. Hurt - 24. Funny How Time Slips Away - 25. Can't Help Falling In Love - 26. Closing Vamp / Announcements.
Running time: 79:22

Quelle: elvis-collectors com

bootlegtitel sind ja meist unfreiwillig komisch, der hier ist aber zur abwechslung mal wirklich witzig.

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"We know that rock'n'roll was not a human invention, that it was the work of the Holy Ghost."
(Nick Tosches)

Ich bin mal gespannt ob das Concert tatsächlich eine Katastrophe ist, oder dieser Bob nur viel Wind um Nichts all die Jahre machte.

Der Sound ist für mich perfekt, allerdings wirkt Elvis auf mich etwas müde!

Ich tippe auf maßlose Übertreibung!

Die meisten von uns dürften über die Qualität der Sommer Konzerte 1976 informiert sein. Ich kann mir nicht vorstellen, das es da einen nennenswerten noch tieferen Tiefpunkt gibt

Woher du weißt?

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Verwunden mein Herz mit eintöniger Mattigkeit
23. April 1998 - 20. November 2006
29. September 2006 - 22. September 2022 - I'll be with you always!

WOW! Schick! Wat Neues und noch dazu SB! Haben will!!!

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"Motorboat! Motorboat! Ruadan tua i nur zur Noat!"

Das ist aber ein krasser Widerspruch. Die Cd ist noch nicht erschienen. Im ersten Satz bist du gespannt auf die Show , im nächsten Satz wird der Sound beschrieben und Elvis Leistung dargestellt. Respekt.

Ich habe ein Soundsample zugeschickt bekommen, so einfach ist das!

Ich gebe zu, dass ich mich (noch) nicht so absolut mit jeder Tournee auskenne... Was war denn so besonders schlimm an diesem Konzert bzw. an den Sommer-Shows 76?

Bitte einstellen.

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"Motorboat! Motorboat! Ruadan tua i nur zur Noat!"

Ich habe sowas noch nie gemacht, wie geht das?