Gravel Road Music releases
After the highly acclaimed “Good to be back” -CD of 2011 finally a worthy VOLUME 2 of the December shows in Amazing sound quality !
Elvis - Rejuvenated and Rockin’

01. CC Rider 02. I Got A Woman - Amen 03. Love Me 04. Tryin To Get To You 05. And I Love You So 06. All Shook Up 07. (let me Be Your)Teddy Bear - Don’t Be Cruel 08. Hound Dog 09. Until It’s Time For You To Go 10. You Gave Me A Mountain 11. Polk Salad Annie 12.Band Introductions 13. Johnny B. Goode (James Burton) 14. Chickin’ Pickin’(James Burton) 15. Bass Solo (Blues, Jerry Scheff) 16. Piano Solo (Glen D. Hardin) 17. Happy Birthday, Charlie 18. School Day #1 19. School Day #2 (featuring Tony on Guitar) 20. Just Pretend 21. How Great Thou Art (with reprise) 22. Burning Love 23. Softly As I Leave You (with Sherril Nielsen) 24.America,The Beautiful 25. Little Sister 26. Heartbreak Hotel 27. Introductions (of Lisa Marie and Vernon Presley) 28. O Sole Mio (Sung by Elvis) - Its Now Or Never 29. Can't Help Falling In Love 30. Closing Vamp.

80 minutes + Plus 28 Pages booklet stuffed with info and photo’s of the show!

If you know Gravelroad Releases and are lucky to have the “GOOD TO BE BACK” album by GRM , you know what you can expect the best !

These days, most people think of Elvis' final years as a steady decline until it all ended on August 16, 1977. Overall, that may well be true, but if you look at those years up-close, you will see that things are not as simple and as black & white as that. That viewpoint leaves out the nuances that make the overall picture so much more interesting. See, there were moments of promise, periods where Elvis got his act back together and where it seemed like he was back again and where the future seemed his. As we know now, he would always fall back into his old ways at some point, essentially because the real issues that he was dealing with at the time were never treated, only the symptoms. Those moments of promise must have made it even more frustrating for those around him to see him relapse time and again, thus affirming that the final path of self-destruction was inevitable.

One such period was December 1975. He'd been plagued by personal problems and health issues since July of that year. There were various troubling personal incidents during the July tour which alarmed insiders. Elvis seemed out of control. In August, he had to break off a Las Vegas engagements due to breathing issues and fatigue. The few concerts that he did manage to perform made it perfectly clear that something was seriously wrong. He seemed tired and pained. For the first time, those around him were seriously concerned about his well-being. Rumors began to appear in the press that he was suffering from a life-threatening illness.

Between August and November, Elvis rested and enjoyed himself, seeing movies with friends, riding around Memphis on his bike, dated various women (and yes, Linda Thompson was still his 'official' girlfriend)... At it paid off, to some extent. Unusually, he returned to Las Vegas for a two-week engagement. Traditionally, December is a quiet time in Vegas, but Elvis had no problems filling the showroom night after night. He still looked a bit bloated, but his performances were consistently strong, and far better than they had been in quite a while. He was in good voice, too, and he used it to great effect on the big dramatic songs that he loved performing. Elvis even added several rather interesting songs to his setlist, including the gorgeous 'Just Pretend' from 1970. His rapport with the audience was good, heartwarming even at times. And there were no incidents. Fans that saw Elvis at these shows were relieved. Whatever demons were troubling him earlier this year appeared to be gone now. And even though he was still a bit overweight, it was clear that he was doing better than last August. Perhaps from now on, things would be different. Maybe Elvis had now gotten the message, and no doubt he would make getting his health back together his # 1 priority. Who knows, maybe he would even change the format of his shows a bit... Things had gotten a bit stale and same in the past 2 or 3 years. There had been nights where he seemed barely awake on stage. And maybe he would finally record that rhythm & blues album that he'd been talking about in recent years. Yes, 1976 held a lot of promise for our man.

Well, today we all know what happened in '76. To say that things turned bad again somehow feels like an understatement. It was the year where things got really ugly. Even now, after almost 40 years, it's still painful to see photos and hear recordings from that year. The 'unmaking of Elvis Presley', as Peter Guralnick put it, was now painfully clear to even the casual observer. At this point, he was probably beyond saving... An early grave seemed inevitable. His bodyguards even began to make secret plans about what they would do if Elvis would die on the road. Yup.... Presley's unmaking was ugly.

But, listening to the December '75 engagement, we can still dream about how things might have been. The December 14, 1975 show being a good case-in-point. This isn't even the best show from the audience, and indeed Elvis himself makes a reference to feeling a bit tired from last night's shows - which indeed were excellent. However, he exudes great personal warmth, and his interaction with the audience is just lovely ("... One of us has got to get bigger lips!"). The show is a nice record of the great affection that Elvis felt towards his fans. It was not a typical showbizz thing... Elvis truly loved his fans and his kindness towards them on this recording is heartwarming. Just as importantly, he is in good voice, and he sings especially well on songs like 'And I Love You So', 'Trying To Get To You', a rare-for-the-period 'Until It's Time For You To Go', 'You Gave Me A Mountain', 'Just Pretend', 'Burning Love', 'How Great Thou Art', 'America The Beautiful', 'It's Now Or Never'.... That's a lot of strong performances in one show!

The first release of this show was somewhat problematic due to faulty mastering, but you can now enjoy this splendid show in far better audio: the sound was improved noticeably, and we were also able to repair various defects in the sound, thus resulting in a more pleasing listening experience.

"... but, until then, we'll just pretend...."

Quelle: www.elvis-collectors.com

__________________
Elvis: Colonel, ich will unbeding nach Europa!
Parker: Nee Elvis, dort gibt es nicht so schöne Turnhallen wie hier.

Ich mag die Dezember 75 Shows.

Ist diese Show nun ein Soundboard ( Ankündigung: Amazing Sound Quality ) und unveröffentlicht oder gab es diese schon einmal ???

Die Show gab es schon von FTD als Beilage zum "Fashion For The King"-Buch.

Nur wird sie jetzt sehr viel besser klingen..

__________________
Elvis: Colonel, ich will unbeding nach Europa!
Parker: Nee Elvis, dort gibt es nicht so schöne Turnhallen wie hier.

Da mir die " Fashion For The King " fehlt, neixx Material für mich.

...weil?!

Etwa Multi Track?

Du immer mit deinen Multitracks...es gibt keine von 1975.

Ich bezog das nur auf die Ankündigung. Bei Gravel Road und anderen Bootleggern klingt es immer sehr viel besser als vorher. Wenn man sich etwas mit diesen Veröffentlichungen beschäftigt, weiß man, daß sie das zwar alle schreiben, sich aber nicht immer daran halten, deshalb auch der -Smiley.

__________________
Elvis: Colonel, ich will unbeding nach Europa!
Parker: Nee Elvis, dort gibt es nicht so schöne Turnhallen wie hier.

Willst Du mir etwa vorwerfen, dass ich mit zwei gesunden Ohren auch gerne über zwei Kanäle Musik genießen möchte?

Ich werfe dir das nicht vor, du darfst dich hören, was du möchtest. Aber es gibt nun mal nicht viele Elvis-Multitracks, also müssen wir mit den Soundboards leben.

Aber im Endeffekt ist es total egal, ob Multitrack, Stereo oder Mono (oder sogar eine schlechte Publikumsaufnahme): gute Musik kann der Sound nicht zerstören.

__________________
Elvis: Colonel, ich will unbeding nach Europa!
Parker: Nee Elvis, dort gibt es nicht so schöne Turnhallen wie hier.

Ich wünschte, es wäre so, Rusty, aber nachdem ich damals die "Long Lost And Found Songs"-Bootleg tapfer ertragen habe, sehe ich das ein wenig anders, und auch das unglaublich scheppernde/dröhnende Klavier bei den "Homerecordings" in Texas macht diese raren Aufnahmen leider nur schwer anhörbar, obgleich der Verstand einem sagt, dass es sich hier um DEN Jahrhundertsänger handelt...

Ich finde die Shows vom Dezember 1975 gar nicht soooo sensationell.

Bei den bislang veröffentlichten Aufnahmen klingt Elvis zu Beginn der Shows relativ sediert. Zudem hat er gesangliche Probleme und klingt bei leisen, lang gezogenen Zeilen stellenweise zittrig. Gerade bei Songs wie AND I LOVE YOU SO ist das gut rauszuhören. Mit Titeln wie POLK SALAD ANNIE hat er inzwischen ebenfalls Probleme, denn in seiner Stimme ist nicht genügend Druck. Es wirkt, als könne er mit dem Tempo der Band nicht mithalten.

Zwar sind diese Auftritte im Vergleich mit den folgenden Shows nochmal sehr gut, nur wenige Jahre vorher hat Elvis aber deutlich bessere Leistungen abgeliefert.

Den Zuschauern dürften die Konzerte aber gefallen haben. Im Saal bekam man die Details nicht mit und freute sich außerdem, den King endlich live zu sehen. Zudem konnte Elvis nach wie vor mit den laut geschmetterten Zeilen beeindrucken und auch das Repertoire war nicht zu verachten.