Hach...hab ich grad reinbekommen..kommt im Januar..more soon..

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Thanks to Ernst Joergensen, Roger Semon and Erik Rasmussen for the great work. Keep the spirit alive !

Das Cover sieht stark aus...wird schon deshalb auf meine Wunschliste kommen.

Und schon wieder etwas längst Veröffentlichtes,das uns in neuer Verpackung angepriesen wird *gähn*

Wenn sie es einem neuen Remastering unterziehen, könnte es lohnenswert sein.

eine dieser ganz lohnenswerten scheiben, wo man sich glücklich schätzen kann dass die das licht des tages überhaupt sehen durften - nicht aus zu denken wäre das tape im besitz eines privatsammlers der nichts hergibt weil er es nur für sich haben möchte
und eine der scheiben die sich bereits lohnen wenn sie auch nur einen deut besser klingen wie der vorgänger.
na gut, ich komm schon wieder zurück auf den boden der realität. musste nur mal kurz abheben weil ich persönlich dieses konzert zu den top-concerts aus elvis´ karriere zähle. nichts für ungut also, wer anderer meinung ist...

Kurz noch von meiner eigenen site reinkopiert....

Also Sprach Zarathustra
Opening Vamp
C. C. Rider
I Got A Woman - Amen
Love Me
Fairytale
You Gave Me A Mountain
Jailhouse Rock
O Sole Mio (by S.Nielsen) - It's Now Or Never
Tryin' To Get To You
My Way
Polk Salad Annie
Band Introductions
Early Mornin' Rain (complete)
What'd I Say
Johnny B. Goode
Drums Solo (by Ronnie Tutt)
Bass Solo (Blues - by Jerry Scheff)
Piano Solo (by Tony Brown)
Electric Piano Solo (by David Briggs)
Love Letters
School Day
Funny How Time Slips Away
Hurt (with last part reprise)
Hound Dog
For The Good Times (last live version)
The First Time Ever I Saw Your Face (last live version)
Unchained Melody (Elvis at the piano)
Mystery Train - Tiger Man
Can't Help Falling In Love
Closing Vamp

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Thanks to Ernst Joergensen, Roger Semon and Erik Rasmussen for the great work. Keep the spirit alive !

Kann jemand zu dem Bild auf dem Cover ne Aussage machen? Es ist für mich ungewöhnlich und ich habe es so noch nie gesehen.

Jesse

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Until the twelfth of never, I'll still be loving you ...

UUiiii Cisco
Die Weihnachtswunschliste wird immer länger

Two leading import labels announced to join forces to re-issue several classic releases from their catalogue. The first outing is "High Voltage - Birmingham '76 Revisited", a strictly limited edition release of the classic December 29th, 1976 concert in Birmingham, Alabama. This concert was previously released as "Burning In Birmingham”, all tracks have been mixed to stereo.

The press-release:

As Recorded live from mixing desk in Birmingham, Alabama, Jefferson Coliseum, on December 29, 1976.

The two leading import labels have now joined forces, and are proud to present the first results of this very special partnership, a strictly limited edition release of the classic December 29th , 1976 concert in Birmingham, Alabama, under the title "High Voltage - Birmingham '76 Revisited". Some of you may recall that this concert was originally released in mono on “Burning In Birmingham” back in ’98, and that it quickly became a firm favorite. In fact, many fans preferred this show over the legendary Pittsburgh concert from two nights later, as Elvis’ performance in Birmingham was far more relaxed and authoritive, and particularly Elvis’ intense reading of “The First Time Ever I Saw Your Face” was a great surprise to many. For this reissue, we worked directly from the first generation DAT, and we were able to make significant audio improvements. After a long and painstaking process of repairing and enhancing the original binaural recording, we were able to mix it down to genuine stereo, thus ensuring a much more satisfying listening experience. Originally, the left channel consisted of all the vocals and nearly all of the instruments, while the right channel featured the (isolated) keyboards. To give you an idea of how the tape originally sounded in binaural, we added two bonustracks “as recorded”.

This release is neatly packaged in a 16-page full color booklet with ultra-cool design, relevant liner notes and a collection of stunning pix taken during Birmingham show.

'Audionics / 2001' hope that this special joint-production will satisfy all those fans who have been clamouring for a reissue of this much sought-after title. A great deal of care and thought went into this release, and we promise you that the improved sound will blow you away. In a time where you constantly see bugball labels ripping off classic titles with cheesy equalizer-jobs, it’s becoming harder to do quality releases, but we will continue as long as you want us to. The original 2001 people want to thank everybody for their loyalty, and add that, “It ain’t over until the fat lady sings!”. And with this little gem of a CD, she finally has a good reason to sing with joy. This CD is scheduled for late December release.

Tracks:

01. Also Sprach Zarathustra (Theme from "2001 A Space Odyssey") - 02. Opening Vamp / C. C. Rider - 03. I Got A Woman / Amen (medley) - 04. Love Me - 05. Fairytale - 06. You Gave Me A Mountain - 07. Jailhouse Rock - 08. O Sole Mio (by Sherrill Nielsen) / It's Now Or Never (medley) - 09. Tryin' To Get To You - 10. My Way - 11. Polk Salad Annie - 12. Band Introductions - 13. Early Mornin' Rain (complete) - 14. What'd I Say - 15. Johnny B. Goode - 16. Drums Solo (by Ronnie Tutt) - 17. Bass Solo (Blues - by Jerry Scheff) - 18. Piano Solo (by Tony Brown) - 19. Electric Piano Solo (by David Briggs) - 20. Love Letters - 21. School Day - 22. Funny How Time Slips Away - 23. Hurt (with last part reprise) - 24. Hound Dog - 25. For The Good Times (with false start, last live version) - 26. The First Time Ever I Saw Your Face (last live version) - 27. Unchained Melody (Elvis at the piano) - 28. Mystery Train / Tiger Man (medley) - 29. Can't Help Falling In Love - 30.Closing Vamp.

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__Elvis - Artist Of The Century__

Die Aufnahme ist vom 29. Dezember 1976 im Coliseum Birmingham. Er trägt bei der Abendshow den Inca (Goldleaf) Suit. Mehr weiß ich leider auch nicht ...

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Ahnungslosigkeit ist die Objektivität der schlichten Gemüter - Harald Schmidt
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