RCA/Legacy Recordings Set to Release 40th Anniversary 2CD Edition of Elvis Recorded Live On Stage In Memphis, the King of Rock’s Triumphant 1974 Hometown Return Concert

Newly Remastered Album Includes All Concert Tracks Not Included on Original Vinyl
2nd Disc Premieres Previously Unreleased MONO “Test Run” of Entire Concert Recorded with a Live Audience at the Richmond Coliseum on March 18, 1974


RCA Records and Legacy Recordings, the catalog division of Sony Music Entertainment, will celebrate the 40th Anniversary of Elvis Recorded Live On Stage In Memphis with an expanded 2CD release of the monumental concert experience featuring tracks left off the original album (because of the spatial limitations of vinyl) plus a wealth of previously unreleased material.

Disc 2 of the newly remastered expanded Legacy Edition of Elvis Recorded Live On Stage In Memphis presents for the first time a recently located recording of Elvis’ complete concert “test run” held for an ecstatic live audience on March 18, 1974, two days before his historic concert return to Memphis, where he’d last played live in 1957. The remarkable “test run” performance was recorded in MONO, drenched in the reverb Elvis preferred, and provides new insight into the magic of Elvis.
As a special added bonus for Elvis aficionados, Disc 2 of Elvis Recorded Live On Stage In Memphis includes five intimate tracks (three of them previously unreleased) cut at the RCA Studios in Hollywood on August 16, 1974. Originally intended as reference recordings for an upcoming Las Vegas engagement, the performances—which include “Down In The Alley,” “Good Time Charlie’s Got The Blues,” “Softly As I Leave You,” “The First Time Ever I Saw Your Face” and “The Twelfth Of Never”—-provide a rare fly-on-the-wall glimpse into Elvis’ consummate backstage artistry as he prepares these songs for concert.

The musicians backing Elvis on Elvis Recorded Live On Stage In Memphis include James Burton and John Wilkinson (guitars); Charlie Hodge (guitar and vocals); Duke Bardwell (bass); Ronnie Tutt (drums); Glen D. Hardin (piano); The Sweet Inspirations, J.D. Sumner & The Stamps, Kathy Westmoreland (vocals) with Joe Guercio and his Orchestra.
Elvis Recorded Live On Stage In Memphis will include a 24 page booklet featuring rare photos, previously unseen memorabilia, new liner notes, press clips and more.
Following the artistic success of his 1973 Stax sessions and the global phenomenon of the Aloha From Hawaii Via Satellite album and broadcast the same year, Elvis opened 1974 with a 15 city tour routed to end in Memphis and a state-of-the-art concert recording.
“I wanted to record a live session in my hometown of Memphis,” said Elvis at the time. “After all, this is where it all started out for me.”

Originally released on vinyl on July 7, 1974, Elvis Recorded Live On Stage In Memphis reached #1 on the Country charts and featured “How Great Thou Art,” the track that would bring Elvis his third (and third Gospel) Grammy win.

Elvis Recorded Live On Stage In Memphis (Legacy Edition)
Label: Legacy / Sony
Release: 18 March 2014

Disc 1
Also Sprach Zarathustra
See See Rider
I Got A Woman/Amen
Love Me
Trying To Get To You
All Shook Up (not included on original album)
Steamroller Blues (not included on original album)
Teddy Bear-Don’t Be Cruel (not included on original album)
Love Me Tender (not included on original album)
Long Tall Sally-Whole Lotta Shakin’ Goin’ On-Mama Don’t Dance-Flip, Flop And Fly-Jailhouse Rock-Hound Dog
Fever (not included on original album)
Polk Salad Annie (not included on original album)
Why Me Lord
How Great Thou Art
Suspicious Minds (not included on original album)
Introductions (not included on original album)
Help Me
An American Trilogy
Let Me Be There
My Baby Left Me
Lawdy, Miss Clawdy (not included on original album)
Funny How Time Slips Away (not included on original album)
Can’t Help Falling In Love
Closing Vamp

Disc 2
The Richmond “Test Run” Concert – previously unreleased
Also Sprach Zarathustra
See See Rider
I Got A Woman/Amen
Love Me
Trying To Get To You
All Shook Up
Steamroller Blues
Teddy Bear-Don’t Be Cruel
Love Me Tender
Long Tall Sally-Whole Lotta Shakin’ Goin’ On-Mama Don’t Dance-Flip, Flop And Fly-Jailhouse Rock-Hound Dog
Fever
Polk Salad Annie
Why Me Lord
How Great Thou Art
Suspicious Minds
Introductions
Help Me
An American Trilogy
Let Me Be There
My Baby Left Me
Lawdy, Miss Clawdy
Funny How Time Slips Away
Can’t Help Falling In Love
Closing Vamp
Recorded live March 18, 1974 at the Coliseum, Richmond
The August 1974 RCA Rehearsal
Down In The Alley (previously unreleased)
Good Time Charlie’s Got The Blues (previously unreleased)
Softly As I Leave You
The First Time Ever I Saw Your Face (previously unreleased)
The Twelfth Of Never


Updated: Jan 8, 2014

Das stimmt wohl nicht so ganz...oder gab es noch eine zweite Show an dem Tag?

__________________
Elvis: Colonel, ich will unbeding nach Europa!
Parker: Nee Elvis, dort gibt es nicht so schöne Turnhallen wie hier.

Naja, wie immer "unreleased außerhalb Import und FTD".

Import sehe ich ja ein, aber FTD ist ein offzielles Produkt und für jedermann zu haben...ist für mich nicht "previously unreleased"...was freue ich mich schon auf das Gesicht des Sony-Mitarbeiters, wenn er es mir als unveröffentlicht verkaufen will...

__________________
Elvis: Colonel, ich will unbeding nach Europa!
Parker: Nee Elvis, dort gibt es nicht so schöne Turnhallen wie hier.

Sony legacy ist halt ein mainstream product, halt nicht wie ftd ein collector's label. Und in der regel nicht im geschaft erhaltlich, wie Saturn und Media Markt, usw. Daher unreleased

Kauf ich trotzdem!

__________________
Ohne Worte!

Ich nicht!

Unreleased sollte dann aber bitte auch wirklich unreleased sein.
FTD ist ein offizielles Label.Egal ob es ein Collector's Label ist oder nicht.
Egal,super Produkt,daß hoffentlich viele Käufer findet.
Ich für meinen Teil,brauchs nicht mehr!

Die beiden Konzerte haben wir ja von FTD. Dort haben sie ein großes Cover und Booklet. Dadurch sind Fotos und Text viel deutlicher zu erfassen. Für mich gehen damit die Gründe für die Anschaffung auf ein Minimum zurück.

Ob ein zweites Konzert mit fast identischem Inhalt in verminderter Tonqualität auf CD 2 den aus der breiten Masse stammenden Käufer der Legacy-VÖ begeistert, bezweifle ich.

Er fragt sich bestimmt: "Häh, CD kaputt und zweimal drin? Hätte doch lieber die neue Springsteen mitnehmen sollen."

Das fragen sich die Käufer offenbar alles nicht. Immerhin ist das schon die vierte "Live-Legacy" von dann acht. Davon dann wiederum drei, mit je zweimal fast identischem Inhalt und die "Memphis-FTD" gehört zu den schlimmsten Stümpereien, die sich das Label bis dato geleistet hat. Von daher kann man den Zehner durchaus anlegen. Kommt eh schon längst nicht mehr drauf an.